14/12/2017 Share this story Share on Facebook icon Share on Twitter icon Share on Pinterest icon Share on Google Plus icon Share on Linked In icon Share via Email icon

New analysis provides a clearer picture of rock art's significance

8bdb30ce-4ab7-4660-b715-e3c297541c8e

Archaeologists from the University of Edinburgh have shed new light on the possible meaning of mysterious rock markings found in Neolithic tombs in Europe.

Researchers say a distinctive carved symbol commonly found in tombs built by early farmers was an emblem of wealth and status – rather than a religious motif.

A team from the University of Edinburgh examined more than 100 Neolithic tombs in Sardinia, Italy, thought to have been built around 4000-2000 BC. The latest digital techniques enabled researchers to examine carvings of cattle heads and horns – known as bucrania – which commonly cover the interior walls of rock-cut-tombs.

Previously unseen markings

Leading edge 3D photographic techniques made it possible to identify faint markings – previously unseen – to examine the location of the motifs inside the monuments. Researchers studied ancient animal remains previously found in the area, and depictions of cattle heads on food vessels to assess the cultural significance of cattle in Neolithic Sardinia.

They also looked at similar examples of bucrania art in the tombs of three present traditional societies in Southeast Asia to see if parallels emerged.  Analysis revealed the motifs were related to buffalos which were seen as special animals that are important symbols of wealth and status and are associated with feasting, rather than religious ritual.

The team says it is likely the motifs in Neolithic Sardinian tombs were used to display status and challenge competing social groups within the community. The findings help the understanding of the role of architectural art in Neolithic societies, they added.

Status symbols?

 

Lead researcher, Dr Guillaume Robin of the University of Edinburgh’s School of History, Classics and Archaeology, said: “When we uncover art in a non-domestic archaeological context such as a tomb, we are prompt to interpret this art as religious. This research, through a specific case study shows that art is not just about illustrating beliefs or worldview, it can be about status.”

 

The study, funded by the European Commission (Marie Curie programme) is published in the European Journal of Archaeology.

(image copyright University of Edinburgh)

Back to News

14/12/2017 Share this story Share on Facebook icon Share on Twitter icon Share on Pinterest icon Share on Google Plus icon Share on Linked In icon Share via Email icon

Recent Updates

17th-century Scottish soldiers to be reburied in Durham

The remains of Scottish soldiers who fought in the battle of Dunbar, discovered during construction work at ...


7,000-year-old bog oak used to create furniture for Spring Fling

An ancient tree which fell victim to rising sea levels during the Middle Stone Age has been retrieved beneath ...


Long tradition of ancient Mastermind competition continues at University of Glasgow

A public oral competition on Latin texts will take place today, with student participants sitting on the ...


Neanderthal brought back to life through new facial reconstruction

An expert in facial reconstruction from the University of Dundee has helped bring Neanderthals back to life ...


Other News

Applications for new Scots Scriever now open

Following on from the success of the first ever Scots Scriever residency at the National Library of Scotland, ...


Scotland's first Jewish Heritage Centre to open in historic Garnethill Synagogue, Glasgow

Glasgow's 19th-century Garnethill Synagogue will be the home of a Jewish Heritage Centre which will open ...


Nominate a heritage hero for the 2018 Scottish Heritage Angel Awards

Groups and individuals who have made a difference through heritage projects across Scotland are invited to ...


11th-century Swedish runestone is on the move - video report

A Swedish runestone which has long been situated in a forgotten corner of Princes Street Gardens, close to ...